Oh, there's snatches of grand opera, too, especially when little Joe Pesci is killing someone. Once again, we get the nonstop soundtrack comprised of Bobby Vinton-esque oldies and 70's album rock. That makes *Casino* extremely empty - call it a black hole. This might not be Scorsese's worst movie (that would be *Kundun*), but it may be his most negligible movie, given that it's very much a remake of the director's own *GoodFellas*, which was a pretty empty affair to begin with.
